The purpose of this article is to present an ongoing research project that aims to uncover meanings about the figure of the teacher in the community of philosophical inquiry. What is unique about this figure? What constitutes this figure? How is this figure configured and reconfigured in her own practice? and how is she configured and reconfigured in her own practice? The article begins by describing what characterizes, defines or constitutes the figure of the teacher as facilitator outlined in the (...) initial Philosophy for Children program. It also addresses some critical perspectives on the notion of facilitating and seeks to propose an alternative to the figure of the facilitator which, far from attempting to define a taxonomy of teaching philosophy with children or to establish a model of teacher, allows us to think of a figure of schoolmaster who is sensitive to encounters and who, through them, also finds other ways of being and doing. In this sense, a reflection is also proposed on what an educational encounter can mean and what is the place of schoolmasters in these encounters. Finally, some possible conditions of/for the encounter are proposed as starting points that allow us to promote and sustain the encounter, such conditions are: commonality, equality, listening and unpredictability. (shrink)

The paper begins with the concept of voice and questions its different meanings, especially in educational settings, to propose a philosophical framing of people-of-young-age’s material voices. It then proposes to understand those voices as disruptive differences or opportunities to (re)think about our roles as educators and, most of all, to return to the question of what a philosophical approach to childhood might disrupt. In doing so, it outlines some ideas about “voice” as sound and materiality (Cavarero, 2005) and also about (...) “listening” as a permanent attention to what might emerge (Nancy, 2002; Davies, 2014), to then extend particular meanings of these concepts to the practice of thinking philosophically with people of different ages in the community of philosophical inquiry educational setting (Kennedy & Kennedy, 2012). It also builds on the concept of “event” by Gilles Deleuze (Deleuze, 2013), as a potential immanent within a confluence of forces, to then ask how we can foster a philosophical way of living (in) education that takes people-of-young-age’s material voices as something we cannot afford to lose. Finally, the paper proposes to frame the community of philosophical inquiry as a philosophical community of voices, in the sense of an opportunity to experience the materiality of all the voices as something that matters in the shared thought of its participants. (shrink)

El autor realiza una lectura de las Enéadas de Plotino partiendo de la noción de procesión, pieza clave para comprender la arquitectura del universo plotiniana ordenado jerárquicamente alrededor del Uno-Bien.Del primer principio proceden todos los seres y en él convergen. Cuatro son fundamentalmente los aspectos tratados: 1) El axiomade la procesión. 2) Los dos momentos de la procesión: el ascendente y el descendente. 3) Las imágenes de la procesión.4) Dentro de estas metáforas, privilegia el centro y el círculo, núcleo en (...) el análisis de la noción de procesión. (shrink)

Wittgenstein scholars have tended to interpret the acquisition of certainties, and by extension, of a world-picture, as the achievement of a state in which these certainties are assimilated in a seemingly unconscious way as one masters language-games. However, it has not been stressed that the attainment of this state often involves facing a series of challenges or difficulties which must be overcome for the development of the world-picture and therefore the socialization process to be achieved. After showing, on the one (...) hand, how a world-picture is usually developed, and on the other hand, why a child who seemingly found itself trapped in a precocious skepticism might have serious problems in assimilating certainties, in this paper, I describe some of the challenges children often meet as they acquire a world-picture. Since the overcoming of these challenges is often needed for children to develop a world-picture, I aim at raising the awareness of the necessity of ‘learning to believe’, that is, of developing a series of skills that allow children to undertake the challenges described in this paper. (shrink)

Este libro nos presenta un «Ortega desde dentro», es decir, no como él había observado a Goethe, con catalejo, sino reconstruido a base de sus testimonios personales esparcidos en artículos, libros, cartas, clases y conferencias, a los que habría que sumar los que sobre él dejaron familiares, colaboradores, discípulos, amigos y enemigos. Estamos pues ante una biografía con ropaje autobiográfico, no sólo de su persona, sino también de su obra, íntimamente unidas a la España de la primera mitad del siglo (...) xx, a la que quiso guiar bajo los más diversos regímenes antes de ser arrastrado por su tragedia como nación. En cierto modo, es la historia de un amor imposible, porque la España que soñó no existía y puede que ni siquiera llegue a existir. Sin embargo y paradójicamente, también es la historia de cómo Ortega, al iluminar sus carencias, logró dejar su impronta en ella. (shrink)

Los recientes movimientos sociales (desde las “primaveras árabes” a Occupy Wall Street, pasando por los “indignados” europeos o los estudiantes latinoamericanos) pueden entenderse mejor, sin negar sus componentes locales, si se perciben como alternativas producidas dentro de la lógica del sistema capitalista. A ello se añade la actual coyuntura de inseguridades producidas por la crisis visible desde 2008, que agudiza los motivos de protesta. Ésta, sin embargo, no es mayoritaria, y sus integrantes se plantean -con dificultad- objetivos y medios, al (...) tiempo que oscilan entre la búsqueda de cambios en el sistema y su generalización hacia un cambio de sistema. (shrink)

Resumen Populismo es un término que ha devenido moda en el discurso político contemporáneo, después de que algunos lo creían desaparecido. El término es aún de uso impreciso y se utiliza en diversas realidades discursivas, las que a su vez remiten a diferentes mundos objetivos: ideologías políticas, movimientos y agrupaciones políticas, estilos discursivos y programas de acción política y modos de obrar, tanto en los regímenes autoritarios como democráticos. Una primera parte de este trabajo se destina a un intento de (...) despejar esta selva semántica y tratar de ubicar el uso de los conceptos en su nivel adecuado, buscando definir los componentes que permiten caracterizar a un discurso populista. En alguna de las aproximaciones del populismo éste ha sido caracterizado como ideología, lo que también se analiza. En un segundo momento se estudian las perspectivas del análisis del discurso político, poniendo énfasis en la práctica de la cortesía y la descortesía en las manifestaciones concretas del discurso sobre el populismo, donde aparece como una forma particular de lograr adhesión afectiva, recurriendo a la construcción de una imagen social del otro o del destinatario favorable o positiva, en oposición al diferente u opuesto. Se analizan discursos de diferentes políticos del hemisferio occidental, tomados de los medios de comunicación, donde se busca ubicar los elementos populistas y el contexto en el que tienen o tuvieron lugar, tratando de analizar los efectos de ese discurso. Se toma en cuenta que en los debates políticos de cualquier escenario alrededor del populismo son más las expresiones de agresividad verbal y descortesía que las derivadas de una actitud de cortesía. (shrink)

En este trabajo se muestra la posibilidad de utilizar las Humanidades en la formación de directivos combinando dos ciencias aparentemente diversas. Después de definir las funciones principales de un directivo se identifican dichas funciones en las representaciones artísticas del emperador Carlos V y de su principal virrey en Sicilia. Este análisis de sus capacidades de liderazgo se realiza siguiendo un método conocido en el área de Gestión de Recursos Humanos como Assesment Center que valora a través de las acciones de (...) los evaluados y de testimonios de terceros la calidad de liderazgo. Como resultado comprobaremos que las obras analizadas sirven para ilustrar conceptos relacionados con la dirección de empresas de forma que el Arte se puede utilizar como una herramienta efectiva en la formación de directivos lo que indica su transversalidad a las demás ciencias. (shrink)

La piedra clave que sostiene el sistema simbólico de las religiones, es sin duda, la experiencia de salvación. F. Heiler afirmaba que el aroma de las religiones es la soteriología y R. Panikkar proponía definir el hecho religioso con tres simples palabras: "camino de salvación". Por ello, la realidad existencial del dolor y el sufrimiento son el gran reto lanzado a la experiencia religiosa: proponéis salvación, se puede decir a los creyentes, pero el dolor y el sufrimiento siguen existiendo. ¿Cómo (...) es posible? Por ello, todas las religiones de formas muy diferentes, responden a la pregunta por sufrimiento y proponen formas para integrarlo existencialmente. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 121.3 (2000) 453-478 [Access article in PDF] Plutarch's Lysander and Sulla: Integrated Characters in Roman Historical Perspective José María Candau Morón The term ritratto paradossale has been used to describe a formula of character portrayal seen in Latin literature of the first centuries B.C. and A.D. whose basic process consists in combining in one character apparently contradictory traits (La Penna 1976). To be (...) precise, the formula produced a type of man who in his moments of action shows energy, diligence, and constancy but exhibits licentious feelings, allows himself to be taken in by indolence, and succumbs to pleasures when his negotia are finished. This model may already have been present in Greek historical literature of the fourth century B.C., as the portrait of Philip II that the historian Theopompus delineates seems to bear this stamp. The public image of Maecenas and the Petronius of Tacitus are two clear examples of ritratto paradossale. The figure of Sulla also falls under this influence; in fact, according to La Penna (1976, 284), Plutarch's biography of Sulla often exhibits these same characteristics.The terms "paradox" and "paradoxical" also occur frequently in works devoted to Plutarch's Life of Lysander. Its paradoxical features are the central point of Pelling's comments (1988a, 268-74) on that biography. Pelling explores aspects of "integration" in the Parallel Lives, a technique of portrayal which he defines as follows: "a man's qualities are brought into some sort of relation with one another, and every trait goes closely with the next." 1 An almost universal literary habit in the [End Page 453] ancient world, integration appears even in a figure as complex and full of contrasts as Plutarch's Lysander. Arrogance and cruelty, incorruptibility and a capacity for adulation, duplicity, ingenuity, ambition, treachery: all the contradictions that coexist in him are seen to be unified through philotimia, a central trait that dominates Lysander's other characteristics and gives his portrayal a unified appearance.But Plutarch's interests in his Life of Lysander do not impel him to explain or reconstruct the traits of its protagonist. It is the contrasts and the paradoxes in Lysander that have drawn the author's attention and lend the biography its particular flavor. Plutarch shows how these diverse character traits work against the individual and end up destroying him. In this way, the biography of Lysander is similar to tragic works in which a character's potentialities unleash forces that ultimately defeat him, and Plutarch explicitly plans on parallelisms with the tragic genre. From this standpoint, Pelling concludes, Lysander offers a moral that is similar to that of tragedy and different from that of other biographies: human nature can produce a figure such as Lysander, and such figures tend to bring about their own destruction through appropriate tragic processes.Stadter (1992) has recently analyzed from start to finish the paradoxical character that Plutarch assigns to Lysander and also to Sulla, the protagonist of the Roman Life presented as his parallel. In Stadter's view the contradictions in each character--that is, the combination of admirable and repulsive traits--form the basis of the portrayal of both subjects. The biographer also contrives to cross the two Lives so as to convey that they form an ensemble. Among other things, we see a type of progression whose upper limit is delineated by the harshest components of the portrayal of Sulla: his destructive nature, bloodthirsty and implacable, his tyrannical and frequently arbitrary conduct, his arrogance and lack of humanity. These traits are only sketched in the parallel Greek Life; yet their presence there evokes sinister dimensions which horrify when they appear, full-blown, in the Roman counterpart. From this interplay of traits and personalities our understanding of the human type treated in the biographies becomes increasingly deep. The final result in the present instance is that we are enabled to recognize the true traits of Lysander's character, and so escape the difficulty that Plutarch alludes to in his prologue through a cryptic... (shrink)

Según señaló Ludwig Wittgenstein en Sobre la certeza, podríamos imaginar acontecimientos tan extraños que ni siquiera tuvieran cabida en nuestros juegos de lenguaje. En este artículo analizaremos las distintas consecuencias de estos hechos, prestando especial atención a la posibilidad de decidir aferrarnos a nuestras propias certezas. Concretamente, detallaremos en qué circunstancias podemos tomar tal decisión.

Donald Davidson foi um dos filósofos mais influentes da tradição analítica da segunda metade do século. A unidade de sua obra é constituída pelo papel central que reflexão sobre como podemos interpretar os proferimentos de um outro falante desempenha para a compreensão da natureza do significado. Davidson adota o ponto de vista metodológico de um intérprete que não pode pressupor nada sobre o significado das palavras de um falante e que não possui nenhum conhecimento detalhado de suas atitudes proposicionais. Neste (...) artigo, eu apresento inicialmente a estrutura e os pressupostos da filosofia da linguagem de Davidson; passo depois a uma discussão sobre a importância do princípio de caridade para seu projeto interpretativo e, por fim, procuro apontar as diferenças do projeto de Davidson com a hermenêutica filosófica. PALAVRAS-CHAVE – Interpretação radical. Princípio de caridade. Hermenêutica. ABSTRACT Donald Davidson was one of the most influential philosophers in the analytic tradition in the last half of the twenthy century. The unity of his work lies in the central role that the reflection on how we are able to interpret the speech of another plays in undestanding the nature of meaning. Davidson adopts the standpoint of the interpreter of the speech of another whose evidence does not, at the outset, pressupose anything about what the speaker’s words mean or any datailed knowledge of his propositional attitudes. This is the position of the radical interpreter. In this paper, I begin with an account of the assumptions and structure of Davidson’s philosophy of language; after this I discuss the philosophical importance of the principle of charity for the theory of radical interpretation and, at the end, I compare Davidson’s interpretative project to the philosophical hermeneutic. KEY WORDS – Radical interpretation. Principle of charity. Hermeneutics. (shrink)